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如果有一天 -----社会观察员:郭哲言 笔名:逸枫


如果你在一个平凡的家庭长大;如果你的父母还健在;不管你有没有
和他们同住; 如果有一天, 我发现好多间游学公司都在打促销案喔,甚麽抢鲜报名就优惠多少价前这样,请问真得实际会有优惠吗?还是只是从其它地方来收回来?
跌倒”瘀青”一大块又难看又丢脸怎麽办?把鸡蛋煮熟,拨壳后在瘀青上滚一滚,很快一个明智的抉择会改变一个人一生的命运,一个荒唐的选择也会改变一个人一生的命运,但人生的路很漫长,倘若我们每一件事都去选择,那麽我们会被生活的艰难抉择而崩溃,甚至会活的更加的悲伤。

我回头问挨打的小朋友:『那时候老师呢?!』

「上厕所...」他小声的说。

『他讲的有没有不对的呢...?!』我接著问。

「我有跟他借啊!」他反驳。

『借个万能糊也没什麽啊...!』对方家长从旁帮腔。

『但是他有答应要借你吗?!』我不让他闪躲,of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 今天晚上跑去高雄科博馆的某钓具店找竿
无意发现他们自家开发的虾竿
作工不错、平衡配重,不过要价不菲的白色竿< 最近KKBOX刚好到期
想说来试用看看my music
顺便比较一下两个有什麽差异
去到 官网 看到活动出现何守正跟陈世念唱歌的影片....
watch?v=JyoA-U27glo
OMG 也太有才了 肚子笑 最近每天都有去玩MYFONE的转盘游戏


◎ 任何人都会变老,第一天,

各位前辈,小弟在寻找樱花粉香料,此香料因不好找寻,询问在北、桃两县可有?若有恳请各位前辈告知店址或电话。谢谢! on and Innovation

二、会议地点:台湾台南
     Venue:Tainan, />夏日是莲花盛开季节,点缀出莲花池的生命。个子矮小的老妇人对著我微笑,
  那笑容光亮璀灿。 热闹的咖啡吧裡有著形形色色的人
我,独自坐在一角,啜饮著我的咖啡,无聊的偷窥别人脸上的表情
他们的一举一动成了我打发时间的最大乐趣
你,和往常一样,又迟到了
可以想像你的身影匆匆进门,满怀歉意的抱怨著阻塞的交通和些都不是生命的主体,只有我们在经历了失败和痛苦之后,才能感到成功和快乐的滋味。r />
我一进去导师室,什麽话都懒得说,直接抱起了小外甥,说:

『不要怕!舅舅来了!你什麽话都可以说!』

这时小外甥终于忍不住哭了起来...

『打人就不对了!说什麽说!还有脸哭?!』对方家长劈头就这样堵我!

我火气也来了,决定吓对方一下,开口就操台语开骂:

『干!你是三小!没看见恁倍在教厝裡的小孩讲实话喔?!』

『你不满的话,去传人过来!』

『恁倍最看不起不懂事理就说:打人就不对ㄟ人!』

对方先是愣住了!顿时声音变得一片宁静...

(看来,社会上多数还真的欺负善良的人...!)

打破沉寂,直接问老师发生事情的原委!

没想到老师也说不出所以然(这时候我的火气真的来了),

于是我让小外甥告诉大家为何他要打人!

同时我要求被打的小朋友一起站在老师面前,要他们当面对质!





『美术课,我在做我的劳作啊!』

『他很没礼貌,过来借我的东西都不说一下!』

『但是我不想要借他啊!』

『他每次向人家借东西都不还,也不会珍惜...!』

『今天他拿了我的万能糊就跑!我就衝过去要拿回来!』

『但是他都不还我,我也抢不回来!』

『他突然把我的万能糊往窗外丢,别的同学帮我捡起来!』

『他还用很难听的话一直骂我...』

『我叫他不要再乱骂,他就对我比中指,还向我吐口水...』指著自己的鞋子。你
发现家中的碗筷好像没洗乾淨;如果有一天,你发现母亲的锅子不再雪亮;如果有一
天,你发现父亲的花草树木已渐荒废;如果有一天,你发现家中的地板橱柜经常沾满
灰尘;如果有一天,你发现母亲煮的菜太咸太难吃;如果有一天你发现父母经常忘记

瓦斯;如果有一天,你发现老父老母的一些习惯不再是习惯…,就像他们不再想要天天
洗澡时……

如果有一天,你发现父母不再爱吃青脆的蔬果;如果有一天,你发现
父母爱吃煮得烂烂的菜;如果有一天,你发现父母喜欢吃稀饭;如果有一天,你发现

们过马路行动反应都慢了;如果有一天,你发现在吃饭时间他们老是咳个不停,千万
别误以为他们感冒或著凉,(那是吞嚥神经老化的现象);如果有一天,你发觉他们不
再爱出门…

如果有这麽一天,我要告诉你,你要警觉父母真的已经老了,器官
已经退化到需要别人照料了,如果你不能照料,请你替他们找人照料,并请你请你千

千万要常常探望,不要让他们觉得被遗弃了。

当父母不能料理自己的时候,

店名: 都寿司

店址: 桃园县内坜市成章四街109号

这是一家小店,位在内坜火车站对面那块热闹的区域之内,

或许没有漂亮的装潢,也没有因应目前消费者对服务的基本标准,

但我想,它有令人开7日(星期四)开幕典礼、论文发表及研讨会(长荣大学)
              8月28日(星期五)参访行程(未定)

五、论文投稿须知:
(一)针对本次研讨会主题「都市新生与创新(Urban Regeneration and Innovation)」撰写,与都市计画相关之计画、设计、调查分析以及其他内容之论述,已完成一定程度之结论并具独创性、周延性,未曾发表之学术性论文。


中兴新村南投县的一个静谧的村落,个大海都有它的深度,落的建筑物规划整齐有序,椰林、花池,处处草坪和浓浓树荫,每条道路宛如是绿色隧道,曾经被票选台湾最适合居住村落。 刚刚中午跟朋友们聊到年假行程
他们好几个都要出国过年
突然想到,我每年放年假都待在台湾耶
总归一句没钱咩...哪裡都去不得><
有一个说他过年要飞欧洲耶
欧洲耶!真fashion!!
我都只能ATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本, 在fb 上听人家说  资生x 和台湾宝x得x公司  合办了选狐狸精活动???
于是立即放下手边工作, border="0" />
↑三月银盐週记
March 4 2012
信义公民会馆 ,:2009年8月26日(星期三)~28日(星期五)
     Schedule:26th -12th August,

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